With Ainadamar, Quantum Theatre creates a chamber opera in the tradition of 2010’s acclaimed Maria de Buenos Aires, reassembling many of the artists from that work, including directors Andres Cladera and Karla Boos; performers Raquel Winnica Young and Carolina Loyola-Garcia; and designers Tony Ferrieri, Joe Seamans and Richard Parsakian.
Golijov’s haunting score adopts many flamenco motifs and has a libretto by theatrical giant David Henry Hwang (M. Butterfly). Mezzo Raquel Winnica Young and dancer Carolina Loyola-Garcia are joined by sopranos Katy Shackleford Williams, Leah Edmondson Dyer, Erica Olden, and Lara Cottrill, contralto Daphne Alderson, and a sizable orchestra, under Cladera’s direction.The story:
Spanish poet and playwright Federico Garcia Lorca died at the hands of Franco’s fascists, though his body was never found. Granada’s “fountain of tears” – “ainadamar,” in Arabic – has become the sacred, attributed site of that murder. Lorca’s life as a young artist at the eve of the Spanish revolution and his relationship with Margarita Xirgu, the great Catalan tragedian who was his muse, form the story of the opera. A flamenco-based score - Deep Song, as it’s called – articulates the pounding of horses’ hooves, the guns of the Falangists, and ultimately, the powerful, undeniable cry for freedom that could not be silenced.
Katy Shackleford Williams stars as Margarita Xirgu and the opera begins as she steps onstage in the 1960’s, years after Lorca’s death, for yet another star turn as Mariana Pineda, the historical figure Lorca memorialized in his first play, which had brought them together. Lost in memories, she tells about events thirty years earlier to the student actresses who form a circle of disciples around her, and then assume the personalities she recalls.
Interestingly, the role of Lorca is to be played by a mezzo (Winnica Young), perhaps in a nod to Lorca’s homosexuality – Xirgu was a platonic muse, and Lorca’s evolution as the voice of repressed peoples was in part engendered by his own marginalization as a homosexual in Franco’s time. Xirgu cannot bring him back. But in the opera’s taut 90 minutes, she lets go of her guilt at being unable to prevent his death, and leads a celebration of the freedom he brought to the world.
Boos and Cladera have collaborated on past Quantum productions Candide and Maria de Buenos Aires. Cladera, a native of Montevideo, Uruguay, is co-director of Microscopic Opera in Pittsburgh and currently makes his home in Denver. East Liberty Presbyterian Church is an historic property of monumental spaces filled with meaning for its congregation and the many communities of Pittsburgh which use the building. The opera will be sung in Spanish with English surtitles.
Video design by Joe Seamans will enhance the work with images. Sound design is by Ryan McMasters. Special events occurring through the run of the show include: Community Night, an invited rehearsal for East Liberty residents and groups on October 16; Post Show Discussion with director and cast on October 21; Ladies Night on October 23, a women’s-only viewing with a pre-show gathering; and Grapenuts Night, TBD, which includes a special pre-show wine-tasting.
Source: Quantum Theater
Quantum Theatre
218 N. Highland Avenue
Pittsburgh, PA 15206
(412) 362-1713
www.quantumtheatre.com
Karla Boos, Artistic Director
Quantum Theatre to open Osvaldo Golijov’s Ainadamar – a chamber opera with libretto by David Henry Hwang; music direction by Andres Cladera; stage direction by Karla Boos
Who: Quantum Theatre
What: Ainadamar by Osvaldo Golijov, libretto by David Henry Hwang, music direction by Andres Cladera; stage direction by Karla Boos
When: October 19 – November 3 (Opening and Press Night October 19) Note unusual schedule: performances Oct. 19, 20, 21, 23, 26, 27, 28, 30, Nov. 2, 3, all at 8pm.
Where: East Liberty Presbyterian Church (116 South Highland Ave., Pittsburgh, PA 15206) (map link)
Tickets: ShowClix 1-888-718-4253; www.quantumtheatre.com or www.showclix.com/event/229382;
$35 - $48 with limited $18 student tix.
Money raised on that day and through the end of the year will go toward the purchase of two important pieces of officeequipment to increase the efficiency of producing program materials for GlobalPittsburgh's visiting internationaldelegations, and two custom-made signs to raise our visibility at community events. You
Your investment will go even further on Wednesday Oct. 3,2012, the Pittsburgh Day of Giving, when the Pittsburgh Foundation will beenhanced by a pro-rated portion of matching funds totaling $750,000. You must pay with a Visa or MasterCard, and the minimum donation is $25. Only donations made on Oct. 3 will be matched. Just go to http://pittsburghgives.org/and click on DONATE NOW. Then type in GlobalPittsburgh.
Research institution host Carnegie Mellon University and other technology-related organizations in the Pittsburgh region have arranged an array of local activities to complement the RoboBusiness Leadership Summit including the induction ceremony for the Robot Hall of Fame®, a public event slated for 6:30 p.m. Oct. 23 at Carnegie Science Center.
The program, titled Essentials of Advising (Level 1), will be conducted Dec. 9-15 on the campuses of institutions participating in the Study Pittsburgh initiative of the GlobalPittsburgh Education Partnership (GPEP).
So if you are wondering, the Port Authority has a palpable advertisement budget these days. The way to judge advertising is how memorable it is. Can you think what is on any Port Authority ad currently running? Can't think of what the current Port Authority advertising meme is? We need to help them out and crowdsource some material. So everyone has some videomaking capability these days on their phones or digital cameras. How would you continue a statement that starts like this: 
